口径 29㎝ 幅(持ち手含む)33.5㎝
高さ(蓋をした状態)18㎝
It is an introduction of the handmade earthen ware pot made by Kotsu Mizutani from Mankoyaki.
Kotsu Mizutani Ceramics History
Born in Yokkaichi, 1954
1979 Japan Contemporary Arts and Crafts Exhibition Selected for the First Time
1980 Emperor Showa’s fruit dish production
1982 The 14th Japan Exhibition was selected for the first time.
Received the Best Award at mie Art Exhibition in 1989
Selected for the 42nd Japan Exhibition in 2010
(Since the first selection in 1982, 19 times were selected for the Japan Exhibition)
After being ground with a lathe, it is attached to the inside and outside of the earthen pot.
If you grind it with a lathe, you can make it relatively light even in a large earthenware pot.
The earthen pot made of mold became thick all over the whole by all means.
It becomes heavy and difficult to use.
In addition, and knob of the lid, also possession that is attached to both sides of the earthen pot body
It can be made delicately.
The knob of the lid is spherical to make it easy to hold,
In addition, a dimled is attached to the knob so that the finger is scratched.
In addition, even if the lid of the earthen pot becomes hot, the knob should not be as hot as possible.
The inside of the spherical knob is hollow, so that the heat is easy to cool down
It is made.
The handle part of both sides of the earthen pot body, so that you can hold surely, so as to be easy to hold
It has been devised.
Because the shape of the inside of the main body also draws a gentle curve unique to the sawsaw
It contains a lot of ingredients in the pot, and it is easy to wash and functional.
The design is very simple, it is a clay pot that can be used for a long time.
The base is black, but the white glaze, such as snow has piled up,
It is applied around the knob part of the lid.
It can be used for 4-5 people.
介紹從萬古陶器到水谷裕久的手工土鍋。
水谷裕久陶瓷歷史
昭和29年生於橫須賀市
昭和54年日本現代工藝美術展首次入選
昭和55年 昭和天皇的水果盤製作
昭和57年第14屆日本展首次入選
海西元年三重縣藝術展最佳獎
海西22年入選第42屆日本展
(從昭和57年首次入選,19次參加日展)
用抹貝研磨後,它連接到鍋的內側和外面。
用抹貝研磨,即使在大土鍋中也可以相對輕。
用模具製作的土鍋,通過各種手段變得厚到整體上。
它變得很重,很難使用。
此外,蓋子的旋鈕和手柄,這是在土鍋體的兩側
我可以使它微妙。
蓋子的旋鈕是球形的,所以很容易持有,
此外,拇指被釘在拇指上,以便手指被卡住。
此外,即使鍋的蓋子變熱,也不要讓旋鈕變熱。
球形旋鈕的內空,使熱量更容易冷卻
是製造的。
土鍋主體兩側的手柄部分,以便確保能夠保持,易於攜帶
已經設計了。
身體內部的形狀,因為繪製一個鬆散的曲線,只有醇厚的研磨
鍋的成分也很多,很容易洗,功能。
設計非常簡單,可以長期使用。
基地是黑色的,但白色的釉料,如下雪,
它圍繞蓋子的旋鈕部分。
四到五個人可以使用。
介绍从万古陶器到水谷裕久的手工土锅。
水谷裕久陶瓷历史
昭和29年生于横须贺市
昭和54年日本现代工艺美术展首次入选
昭和55年 昭和天皇的水果盘制作
昭和57年第14届日本展首次入选
海西元年三重县艺术展最佳奖
海西22年入选第42届日本展
(从昭和57年首次入选,19次参加日展)
用抹贝研磨后,它连接到锅的内侧和外面。
用抹贝研磨,即使在大土锅中也可以相对轻。
用模具制作的土锅,通过各种手段变得厚到整体上。
它变得很重,很难使用。
此外,盖子的旋钮和手柄,这是在土锅体的两侧
我可以使它微妙。
盖子的旋钮是球形的,所以很容易持有,
此外,拇指被钉在拇指上,以便手指被卡住。
此外,即使锅的盖子变热,也不要让旋钮变热。
球形旋钮的内空,使热量更容易冷却
是制造的。
土锅主体两侧的手柄部分,以便确保能够保持,易于携带
已经设计了。
身体内部的形状,因为绘制一个松散的曲线,只有醇厚的研磨
锅的成分也很多,很容易洗,功能。
设计非常简单,可以长期使用。
基地是黑色的,但白色的釉料,如下雪,
它围绕盖子的旋钮部分。
四到五个人可以使用。