It is an introduction of Kiyomizu-yaki to Fujihira Masafumi’s vase.
At first glance, this flower case that shines silver like metal
It is baked by a technique called raster coloring.
Raster is a very thin metal coating on the surface of ceramic
It is a paint or technique that produces an iris due to light interference.
The original ground is gray, and paint is applied on it to release glaze
Since it is glazed with Rasta from above, the part that has been glazed
It is a line pattern and looks like an irregular grid.
The part which does not play the raster is swelled and has become three-dimensional.
The inside of the narrow mouth is painted in gold, and the gold that can be seen lightly
There is a special feeling, and the trick is working.
The main body made by rolling round is very light unlike the appearance.
The form that made Tokutori is stable, and may have a closed mouth.
The flowers are alive easily.
The design has never been so modern, yet advanced
It is one of the few unicycles that match Japanese style rooms such as tea rooms and the modern and contemporary architecture.
從Kiyomizu-yaki到Fujihira Masafumi的小花盆的介紹。
乍一看，這款花朵像金屬一樣閃耀著銀色
它被稱為光柵著色的技術烘焙。
光柵是陶瓷表面非常薄的金屬塗層
它是一種由於光干涉而產生虹膜的塗料或技術。
原始地面是灰色的，並在其上塗上油漆以釋放釉料
因為從上面用Rasta上釉，所以已經上釉的部分
它是一種線條圖案，看起來像一個不規則的網格。
不播放光柵的部分膨脹並變成三維的。
狹窄的嘴巴內側塗有金色，可以輕輕看到金色
有一種特殊的感覺，訣竅是有效的。
與外觀不同，通過滾圓製成的主體非常輕。
Tokutori的形式是穩定的，可能有一個閉口。
鮮花很容易活著。
設計從未如此現代，而且先進
它是少數幾個與日式客房相匹配的單輪腳踏車之一，如茶室和現代和當代建築。
从Kiyomizu-yaki到Fujihira Masafumi的小花盆的介绍。
乍一看，这款花朵像金属一样闪耀着银色
它被称为光栅着色的技术烘焙。
光栅是陶瓷表面非常薄的金属涂层
它是一种由于光干涉而产生虹膜的涂料或技术。
原始地面是灰色的，并在其上涂上油漆以释放釉料
因为从上面用Rasta上釉，所以已经上釉的部分
它是一种线条图案，看起来像一个不规则的网格。
不播放光栅的部分膨胀并变成三维的。
狭窄的嘴巴内侧涂有金色，可以轻轻看到金色
有一种特殊的感觉，诀窍是有效的。
与外观不同，通过滚圆制成的主体非常轻。
Tokutori的形式是稳定的，可能有一个闭口。
鲜花很容易活着。
设计从未如此现代，而且先进
它是少数几个与日式客房相匹配的单轮脚踏车之一，如茶室和现代和当代建筑。
