盃 径 9.5㎝ 高さ 2.5㎝
盃台 径12㎝ 高さ 5.5㎝
木製 うるし塗
It is an introduction of one wooden, urushi-painted candlestick made in Japan, and a set of five customers.
It is a favorite pull-in set of the tea ceremony Urasenke 11th Gengensai sect.
The diameter is a little smaller than the usual pull, and the whole is painted leaving the brush eyes.
On top of that, a unique pattern called “Warabi-wave” is drawn in gold and silver.
The color is red, whereas the usual pull is red, but it is amber, and has its own atmosphere.
Because the brush eyes are left in the whole, the wound is hard to stand out, for hand-painting
The texture is also very good.
Because it is made of wood, the moment you hold it very lightly, you can see that it is “real”.
In addition, the candlestick is also a normal candlestick is just a round one, when viewed from the top
It is hollowed out to the seven treasure patterns, and it has become a very elaborate making.
This is also a coating, but the grain of wood is visible and the texture is high.
This pull and the candlestick is the one that is formally used in the tea ceremony
You can drink to your loved ones and celebrate.
Even if you use it as a container to have a susu on New Year’s Day, the appearance is well stylish.
介紹日本製造的木材,一個漆的漆台和五個客人集。
茶道後千家第11世根納托穆穆室最喜歡的拉索集。
直徑略低於普通的拉絲,整個油漆留下刷眼
上面是”稻草波”的獨特圖案,上面畫的是金色和銀色。
顏色是正常的,而藍色是紅色的,有它自己的氛圍。
因為整個刷子都留了下來,傷口很難明顯,因為手繪
紋理也很好。
因為它是木制的,它非常輕,當你手裡拿著它時,它被證明是”真實的”。
此外,如果從上面看,通常的鐘樓只是圓的,但
它被拉入七寶圖案,它已成為一個非常複雜的製作。
這也是油漆,但木紋是可見的,紋理是高的。
這個碗和筷女在茶道上正式使用。
在慶祝活動的座位上,向尊貴的客人喝酒,
即使你在新年使用它作為一個容器,得到蘇蘇,身體是時尚。
介绍日本制造的木材,一个漆的漆台和五个客人集。
茶道后千家第11世根纳托穆穆室最喜欢的拉索集。
直径略低于普通的拉丝,整个油漆留下刷眼
上面是”稻草波”的独特图案,上面画的是金色和银色。
颜色是正常的,而蓝色是红色的,有它自己的氛围。
因为整个刷子都留了下来,伤口很难明显,因为手绘
纹理也很好。
因为它是木制的,它非常轻,当你手里拿着它时,它被证明是”真实的”。
此外,如果从上面看,通常的钟楼只是圆的,但
它被拉入七宝图案,它已成为一个非常复杂的制作。
这也是油漆,但木纹是可见的,纹理是高的。
这个碗和筷女在茶道上正式使用。
在庆祝活动的座位上,向尊贵的客人喝酒,
即使你在新年使用它作为一个容器,得到苏苏,身体是时尚。