径 ２１㎝ 高さ ３㎝
Born from Arita ware in the Ottoman period in the sixteenth century
Iznik pottery was reprinted by Arita ware in Japan.
It is said that it is a color Nabeshima hand, and it becomes a color picture porcelain.
Iznik pottery of Turkey which is the beginning of the Silk Road
Arita ware in Japan, the last place of the Silk Road, has been reprinted.
That is “Turkey Nabeshima Te”.
Iznik pottery’s unique complex composition, Nabeshima of Japan faithfully and precisely
I’m drawing.
There are so many different colors as the back of the blue dark.
The elaborately drawn patterns create the atmosphere of the Ottoman period at that time.
It is a gem that you can feel the high skill of Japanese craftsmen.
The edge of the plate is a wreath (it is a wave, and)
It is added one effort and two efforts.
Because it is 21cm in diameter, it can be a morning tray such as toast and ham and eggs.
You can also use it as a plate for sub dishes such as cake dishes and salads.
Because the pattern is unusual, and there is a unique atmosphere, it is a drawing room, living room, entrance, etc.
Even if you decorate it, it is very fashionable
從阿裡塔陶器出生在16世紀的奧斯曼土耳其時代
伊茲尼克陶器被日本阿裡塔陶器重印。
它成為彩色繪畫瓷器，據說是彩色火鍋島手。
土耳其伊茲尼克陶器，絲綢之路的開始
絲綢之路的終點，日本的阿裡塔陶器被重印。
這就是土耳其納貝島手。
伊茲尼克陶器獨特的複雜構圖，日本納貝島忠實和精確
我畫它。
以藍色為背景，使用許多不同的顏色。
精心繪製的圖案營造出當時奧斯曼土耳其時代的氛圍。
這是一個寶石，你可以感受到日本工匠的高技能。
板的邊緣是一朵花（波浪，）
增加了一些麻煩和兩個麻煩。
有21釐米的直徑，所以你可以做早間託盤，如烤麵包或火腿和雞蛋。
也可用作子菜的菜肴，如蛋糕盤和沙拉。
圖案是不尋常的，有一個獨特的氛圍，客廳，客廳，入口等。
即使我裝飾它，它是非常時尚的。
从阿里塔陶器出生在16世纪的奥斯曼土耳其时代
伊兹尼克陶器被日本阿里塔陶器重印。
它成为彩色绘画瓷器，据说是彩色火锅岛手。
土耳其伊兹尼克陶器，丝绸之路的开始
丝绸之路的终点，日本的阿里塔陶器被重印。
这就是土耳其纳贝岛手。
伊兹尼克陶器独特的复杂构图，日本纳贝岛忠实和精确
我画它。
以蓝色为背景，使用许多不同的颜色。
精心绘制的图案营造出当时奥斯曼土耳其时代的氛围。
这是一个宝石，你可以感受到日本工匠的高技能。
板的边缘是一朵花（波浪，）
增加了一些麻烦和两个麻烦。
有21厘米的直径，所以你可以做早间托盘，如烤面包或火腿和鸡蛋。
也可用作子菜的菜肴，如蛋糕盘和沙拉。
图案是不寻常的，有一个独特的氛围，客厅，客厅，入口等。
即使我装饰它，它是非常时尚的。
