It is an introduction of a wooden rice cooker from the Sanuki paint.
This product is the one that the natural lacquer is any touching up to the base made by repeating the tree of the Chestnut (and), and repeated repeatedly and finished painting.
Because of the hollow, there is outstanding durability unlike the one of bending and the tension.
The rice cooker that the former people have used for a long time is a bowl which temporarily puts Rice until it moves it to the rice bowl after the rice is cooked.
In fact, there is a secret to make rice delicious.
In the present age, after cooking rice, I put it in the rice cooker and keep it warm.
Then, the rice becomes crispy and the water becomes too much and it becomes it.
The taste of the rice of the trouble becomes ruined.
However, the wooden rice cooker adjusts the moisture.
If the water is too much, the tree absorbs excess water, dries it out, and then releases moisture from the tree
It adjusts the amount of water in the rice.
Therefore, it is possible to keep rice to the optimum amount of water at all times, and as a result, the rice is delicious.
In addition, because the lacquer is painted, it is possible to keep the rice fresh in there is a natural antibacterial action.
Because it prevents the breeding of bacteria, rice is always kept in delicious condition.
“Even if it cools down, it feels like rice is delicious,” but it is not because of the mind, there is a reason to be scientifically proven.
We do not know whether our ancestors knew it, but in the time when there was no rice cooker, microwave, refrigerator
We knew how to get more delicious rice.
It can be said that the vessel which combines the moisture adjustment function and the antibacterial action is a valuable treasure that the previous people left.
The inside is easy to wash, and it is finished neatly in a flat manner so that rice is somewhere else easily,
The outside is a turtle carving leaving after the flea carving to put out a wooden warmth.
It is carved by one flea, the Flea, and the workman, and it is understood that the labor, the effort, and the technology are poured much more than the imagination.
All the things that I mentioned now, this dish that is condensed is really recommended article.
There is a capacity for about three to four people.
它是從三木油漆引入木制電飯煲。
本產品是天然漆器通過重複板栗樹 (和), 反復重複和完成繪畫而對基座進行任何接觸的產品。
由於空心, 有出色的耐久性不同于彎曲和張力。
以前的人長期使用的電飯煲是一個碗, 暫時放米飯, 直到煮完米飯後把它搬到飯碗裡。
其實, 有一個讓大米好吃的秘訣。
在這個時代, 煮完米飯後, 我把它放在電飯煲裡, 保暖。
然後, 大米變得脆, 水變得太多, 它成為它。
麻煩的米飯的味道被毀了。
然而, 木制電飯煲調節水分。
如果水太多, 樹就會吸收多餘的水, 把它幹出來, 然後從樹上釋放水分
它調整大米中的水量。
因此, 在任何時候都可以保持大米的最佳水量, 因此, 大米是美味的。
此外, 由於漆器是塗漆的, 所以有可能保持大米的新鮮, 有天然的抗菌作用。
因為它能防止細菌的滋生, 所以大米總是保持在美味的狀態。
“即使冷靜下來, 感覺大米很好吃”, 但這並不是因為心靈, 才有理由得到科學證明。
我們不知道我們的祖先是否知道, 但在沒有電飯煲、微波爐、冰箱的時候
我們知道如何得到更美味的米飯。
可以說, 將水分調節功能與抗菌作用結合起來的容器, 是前人留下的寶貴財富。
裡面很容易洗, 而且是以扁平的方式整齊地完成的, 這樣大米就很容易在別的地方,
外面是一隻海龜雕刻離開後, 跳蚤雕刻出一個木制的溫暖。
它是由一隻跳蚤、跳蚤和工人雕刻而成的, 據瞭解, 勞動、努力和技術的傾注遠遠超過想像。
我現在提到的所有事情, 這個濃縮的菜都是真正推薦的文章。
大約有三到四個人。
它是从三木油漆引入木制电饭煲。
本产品是天然漆器通过重复板栗树 (和), 反复重复和完成绘画而对基座进行任何接触的产品。
由于空心, 有出色的耐久性不同于弯曲和张力。
以前的人长期使用的电饭煲是一个碗, 暂时放米饭, 直到煮完米饭后把它搬到饭碗里。
其实, 有一个让大米好吃的秘诀。
在这个时代, 煮完米饭后, 我把它放在电饭煲里, 保暖。
然后, 大米变得脆, 水变得太多, 它成为它。
麻烦的米饭的味道被毁了。
然而, 木制电饭煲调节水分。
如果水太多, 树就会吸收多余的水, 把它干出来, 然后从树上释放水分
它调整大米中的水量。
因此, 在任何时候都可以保持大米的最佳水量, 因此, 大米是美味的。
此外, 由于漆器是涂漆的, 所以有可能保持大米的新鲜, 有天然的抗菌作用。
因为它能防止细菌的滋生, 所以大米总是保持在美味的状态。
“即使冷静下来, 感觉大米很好吃”, 但这并不是因为心灵, 才有理由得到科学证明。
我们不知道我们的祖先是否知道, 但在没有电饭煲、微波炉、冰箱的时候
我们知道如何得到更美味的米饭。
可以说, 将水分调节功能与抗菌作用结合起来的容器, 是前人留下的宝贵财富。
里面很容易洗, 而且是以扁平的方式整齐地完成的, 这样大米就很容易在别的地方,
外面是一只海龟雕刻离开后, 跳蚤雕刻出一个木制的温暖。
它是由一只跳蚤、跳蚤和工人雕刻而成的, 据了解, 劳动、努力和技术的倾注远远超过想象。
我现在提到的所有事情, 这个浓缩的菜都是真正推荐的文章。
大约有三到四个人。